Synopsis:
A magician-turned-sleuth in pre-war London
solves three impossible crimes.
In 1930s London, celebrity psychiatrist
Anselm Rees is discovered dead in his locked study, and there seems to be no
way that a killer could have escaped unseen. There are no clues, no witnesses,
and no evidence of the murder weapon. Stumped by the confounding scene, the
Scotland Yard detective on the case calls on retired stage
magician-turned-part-time sleuth Joseph Spector. For who better to make sense
of the impossible than one who traffics in illusions?
Spector has a knack for explaining the
inexplicable, but even he finds that there is more to this mystery than meets
the eye. As he and the Inspector interview the colorful cast of suspects among
the psychiatrist’s patients and household, they uncover no shortage of dark
secrets―or motives for murder. When the investigation dovetails into that of an
apparently-impossible theft, the detectives consider the possibility that the
two transgressions are related. And when a second murder occurs, this time in
an impenetrable elevator, they realize that the crime wave will become even
more deadly unless they can catch the culprit soon.
A tribute to the classic golden-age
whodunnit, when crime fiction was a battle of wits between writer and reader,
Death and the Conjuror joins its macabre atmosphere, period detail, and
vividly-drawn characters with a meticulously-constructed fair play puzzle. Its
baffling plot will enthrall readers of mystery icons such as Agatha Christie
and John Dickson Carr, modern masters like Anthony Horowitz and Elly Griffiths,
or anyone who appreciates a good mystery.
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